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3 wire sculptures and a large abstract mosaic installed in a raw office space
3 wire sculptures and a large abstract mosaic installed in a raw office space

A view of Christopher Wool’s show “See Stop Run” at 101 Greenwich Street.    Credit:  Christopher Wool

Christopher Wool

Through July 31. 101 Greenwich Street (entrance on Rector Street), Manhattan

The dilapidated 19th-floor office space hosting Christopher Wool’s recent sculptures and paintings could not be more simpatico with them. In its state of abandoned tear-down, the venue offers melodious visual rhymes: electrical cords dangling from the ceiling ape Wool’s snarls of found-wire sculpture; crumbling plaster mirrors the attitudinal blotches of his oils and inks. Scrawls of crude graffiti or quickly penciled notes left by workmen emulate the tendril-like lines dragged through Wool’s globular masses of spray paint. The space is a horseshoe-shaped echo of Wool’s work — raw, agitated — and the restless elegance he wrenches from a feeling of decay.

Read full article at nytimes.com

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