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Reinhard Mucha - Hidden Tracks - Exhibitions - Luhring Augustine

Luhring Augustine is pleased to announce the opening of Hidden Tracks, an exhibition of recent work by the German artist Reinhard Mucha. This marks the artist’s first solo show in New York in thirteen years, which continues to reveal Mucha as one of the most significant artists of his generation. Throughout Mucha’s artistic production of the past four decades run themes of collective identity, memory, nationalism, the psychology of architecture and power, the museum as the locus for the creation of history, and the merging of industrial, historical and political landscapes. His complex work penetrates several dualities: connectivity and isolation, temporality and permanence, intimate narrative and national history, progress and stasis.

Hidden Tracks features a selection of vitrine works by Mucha from the past five years; most of the works in the exhibition have never before been shown publicly. Mucha’s longtime use of the vitrine as a formal device in his sculptures – both wall works and floor works, hanging and standing – is a method through which he explores the evocation, depiction, conservation, and illustration of memories and history. The wall vitrine especially becomes a type of stage on which is presented the unspoken with the literal, the visible with the invisible, the publicly-minded with the personal. Even more pointedly, the hanging of the wall vitrine on the wall of the gallery or museum transforms the sculpture into a virtual window into the workings of the exhibiting institution.

Reinhard Mucha was born in Düsseldorf, Germany in 1950 and studied with Klaus Rinke at the Düsseldorf Academy of Art, where he began to develop his highly complex artistic language that would find full form in a number of seminal installations in Europe throughout the 1980s and 1990s. These include Gladbeck at the Centre Georges Pompidou, Paris in 1986; Mutterseelenallein at the Museum für Moderne Kunst, Frankfurt a.M. in 1991-1999, and since 2009 at Castello di Rivoli Museo d’Arte Contemporanea, Torino; Das Deutschlandgerät at the 44th Venice Biennale in 1990; Wartesaal at documenta X, Kassel in 1997; and Stockholmer Raum, Für Rafael Moneo at the Moderna Museet, Stockholm in 1998. His work is in the permanent collections of numerous international public institutions, including the Museum of Modern Art, New York; Tate Modern, London; Nationalgalerie, Berlin; Centre Georges Pompidou, Paris; Art Institute of Chicago; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C.. Mucha resides and works in Düsseldorf.

Artworks

Reinhard Mucha Hidden Tracks

Reinhard Mucha
Hidden Tracks
Framed exhibition poster

Reinhard Mucha Gruppe 47, 2008 / Voddow, 2010

Reinhard Mucha
Gruppe 47, 2008 / Voddow, 2010
two-part work ensemble
free-standing sculpture
Gruppe 47
wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), 4 footstools wood, melamine resin coat, PVC, felt, 4 clipboards hardboard, metal, 4 folding rulers aluminum
71.9 x 42.9 x 21.3 inches
(182.6 x 109 x 54 cm)
wall-mounted sculpture
Voddow
aluminum, float glass, enamel painted on reverse of glass, hay rack solid wood (found object), canvas, cotton fleece, felt, blockboard
52.4 x 177.6 x 17.3 inches
(133.1 x 451 x 44 cm)

Reinhard Mucha Seite 63, 1983

Reinhard Mucha
Seite 63, 1983
edition 5 of 9
two metal shoulder clips, two glass sheets, one page from a book (offset print, recto and verso)
hanging height: top edge 80.5 inches (204.5 cm) above ground, lower edge 66.9 inches (170 cm) above ground
diameter: 14.1 inches (35.8 cm)

Reinhard Mucha Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007

Reinhard Mucha
Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007
two-part work ensemble
free-standing sculpture
Die Deutsche Frage
wood, float glass (display case), pedestal hardboard, oil paint print on bituminized feltbase (flooring), 3 footstools (found objects) wood, 3 childrens’ cardboard suitcases (found objects) leather cardboard, metal
71.9 x 30.3 x 20.5 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Dornap, For Philip Nelson
aluminum, float glass, enamel painted on reverse of glass, oil paint print on
bituminized feltbase (flooring), hardboard, wood
70 x 236.1 x 21.1 inches
(177.8 x 599.7 x 53.7 cm)

Reinhard Mucha Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007

Reinhard Mucha
Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007
(Detail)
two-part work ensemble
free-standing sculpture
Die Deutsche Frage
wood, float glass (display case), pedestal hardboard, oil paint print on bituminized feltbase (flooring), 3 footstools (found objects) wood, 3 childrens’ cardboard suitcases (found objects) leather cardboard, metal
71.9 x 30.3 x 20.5 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Dornap, For Philip Nelson
aluminum, float glass, enamel painted on reverse of glass, oil paint print on
bituminized feltbase (flooring), hardboard, wood
70 x 236.1 x 21.1 inches
(177.8 x 599.7 x 53.7 cm)

Reinhard Mucha Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007

Reinhard Mucha
Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007
two-part work ensemble
free-standing sculpture
Die Deutsche Frage
wood, float glass (display case), pedestal hardboard, oil paint print on bituminized feltbase (flooring), 3 footstools (found objects) wood, 3 childrens’ cardboard suitcases (found objects) leather cardboard, metal
71.9 x 30.3 x 20.5 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Dornap, For Philip Nelson
aluminum, float glass, enamel painted on reverse of glass, oil paint print on
bituminized feltbase (flooring), hardboard, wood
70 x 236.1 x 21.1 inches
(177.8 x 599.7 x 53.7 cm)

Reinhard Mucha Kassel, 2013

Reinhard Mucha
Kassel, 2013
wall-mounted sculpture
metal shoulder clamps, float glass, alkyd enamel painted on reverse of glass, panel door synthetic resin paint, solid wood, plywood, steel (split found object), industrial felt, door leaf plywood, solid wood (panel door sections), blockboard, corrugated cardboard
39.92 x 76.81 x 11.1 inches
(101.4 x 195.1 x 28.2 cm)
 

Reinhard Mucha Stunde Null, 2006 / Hennef, 2009

Reinhard Mucha
Stunde Null, 2006 / Hennef, 2009
(Detail)
two-part work ensemble for the exhibition Hidden Tracks
free-standing sculpture
Stunde Null
wood, float glass (display case), pedestal wood, oil paint print on bituminized feltbase (flooring), 6 parts of rails (model railway track 0) sheet steel, gaffer mold (found object) pear wood, steel wire, kiln (found object) stove enamel, steel, fire clay, cast iron
71.7 x 20.5 x 30.3 inches
(182.1 x 52 x 77 cm)
wall-mounted sculpture
Hennef
aluminum, float glass, enamel painted on reverse of glass, wall panel lacquer paint, wood (found object), wooden plank (found object), canvas, industrial felt, blockboard
53.3 x 181.1 x 17.5 inches
(135.4 x 460 x 44.5 cm)

Reinhard Mucha Stunde Null, 2006 / Hennef, 2009

Reinhard Mucha
Stunde Null, 2006 / Hennef, 2009
two-part work ensemble for the exhibition Hidden Tracks
free-standing sculpture
Stunde Null
wood, float glass (display case), pedestal wood, oil paint print on bituminized feltbase (flooring), 6 parts of rails (model railway track 0) sheet steel, gaffer mold (found object) pear wood, steel wire, kiln (found object) stove enamel, steel, fire clay, cast iron
71.7 x 20.5 x 30.3 inches
(182.1 x 52 x 77 cm)
wall-mounted sculpture
Hennef
aluminum, float glass, enamel painted on reverse of glass, wall panel lacquer paint, wood (found object), wooden plank (found object), canvas, industrial felt, blockboard
53.3 x 181.1 x 17.5 inches
(135.4 x 460 x 44.5 cm)

Reinhard Mucha Gruppe 47, 2008 / Voddow, 2010

Reinhard Mucha
Gruppe 47, 2008 / Voddow, 2010
(Detail)
two-part work ensemble
free-standing sculpture
Gruppe 47
wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), 4 footstools wood, melamine resin coat, PVC, felt, 4 clipboards hardboard, metal, 4 folding rulers aluminum
71.9 x 42.9 x 21.3 inches
(182.6 x 109 x 54 cm)
wall-mounted sculpture
Voddow
aluminum, float glass, enamel painted on reverse of glass, hay rack solid wood (found object), canvas, cotton fleece, felt, blockboard
52.4 x 177.6 x 17.3 inches
(133.1 x 451 x 44 cm)

Reinhard Mucha Gruppe 47, 2008 / Voddow, 2010

Reinhard Mucha
Gruppe 47, 2008 / Voddow, 2010
two-part work ensemble
free-standing sculpture
Gruppe 47
wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), 4 footstools wood, melamine resin coat, PVC, felt, 4 clipboards hardboard, metal, 4 folding rulers aluminum
71.9 x 42.9 x 21.3 inches
(182.6 x 109 x 54 cm)
wall-mounted sculpture
Voddow
aluminum, float glass, enamel painted on reverse of glass, hay rack solid wood (found object), canvas, cotton fleece, felt, blockboard
52.4 x 177.6 x 17.3 inches
(133.1 x 451 x 44 cm)

Reinhard Mucha Freiheit für Berlin, 2008 / Minden, 2013

Reinhard Mucha
Freiheit für Berlin, 2008 / Minden, 2013
two-part work ensemble
free-standing sculpture
Freiheit für Berlin
solid wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), blockboard, 3 footstools wood (found objects), 9 folding rulers aluminum, binding wire
71.9 x 30.3 x 20.3 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Minden
aluminum, float glass, enamel painted on reverse of glass, carom billiard table rails with so-called diamonds, billiard cloth, cushion rubber (split found object), floorboards rests of different oil paints, resin and dispersion paints, plywood (found objects), canvas, felt, plywood, blockboard
66.85 x 166.14 x 19.61 inches
(169.8 x 422 x 49.8 cm)

Reinhard Mucha Freiheit für Berlin, 2008 / Minden, 2013

Reinhard Mucha
Freiheit für Berlin, 2008 / Minden, 2013
(Detail)
two-part work ensemble
free-standing sculpture
Freiheit für Berlin
solid wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), blockboard, 3 footstools wood (found objects), 9 folding rulers aluminum, binding wire
71.9 x 30.3 x 20.3 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Minden
aluminum, float glass, enamel painted on reverse of glass, carom billiard table rails with so-called diamonds, billiard cloth, cushion rubber (split found object), floorboards rests of different oil paints, resin and dispersion paints, plywood (found objects), canvas, felt, plywood, blockboard
66.85 x 166.14 x 19.61 inches
(169.8 x 422 x 49.8 cm)

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Straight, 2013 and Siegen, 2013

Reinhard Mucha Siegen, 2013

Reinhard Mucha
Siegen, 2013
wall-mounted sculpture
metal shoulder clips, float glass, enamel painted on reverse of glass, steel, tin tub zinc-coated steel sheet, solid wood (found object), multilayer plywood
37.5 x 70.9 x 15.7 inches
(95.2 x 180.2 x 39.8 cm)

Reinhard Mucha Straight, 2013

Reinhard Mucha
Straight, 2013
(Detail)
sculptural room installation
93.5 x 218 x 124 inches
(237.5 x 553.7 x 315 cm)

Reinhard Mucha Straight, 2013

Reinhard Mucha
Straight, 2013
sculptural room installation
93.5 x 218 x 124 inches
(237.5 x 553.7 x 315 cm)

Reinhard Mucha Straight, 2013 and Edition 1991 - >>Kreuzstück, 2004

Reinhard Mucha
Straight, 2013 and Edition 1991 - >>Kreuzstück<<, 2004

Straight, 2013
sculptural room installation
93.5 x 218 x 124 inches
(237.5 x 553.7 x 315 cm)
Edition 1991 - >>Kreuzstück<<, 2004
Diptych
edition 20 of 25 unique pieces with 3 artist’s proofs (each piece painted differently on reverse of glass)
with custom fabricated storage crate, signage on the sliding cover enamel paint, wood including a cover sheet as certificate designed, numbered and signed by the artist with 4 reproduced photographs from the artist, offset 17.9 x 17.9 inches
special made inner cushion
6.9 x 19.3 x 19.3 inches
left tondo
metal shoulder clips, 2 sheets of float glass, enamel painted on reverse of glass, book page offset print double-sided (found object), felt
ø 38 cm x 4.6 cm
right tondo
metal shoulder clips, sheet of float glass, sheet of aluminum, felt
ø 34 cm x 4.6 cm

Reinhard Mucha dX &ndash; edition, 1997

Reinhard Mucha
dX – edition, 1997
(Detail)
edition of 65 and 5 artist’s proofs
glass, aluminum, silkscreen and duotone offset
39.4 x 25.6 x 1.8 inches
(100 x 65 x 4.5 cm)

Reinhard Mucha Before the Wall came down, 2008 / Lennep, 2009

Reinhard Mucha
Before the Wall came down, 2008 / Lennep, 2009
two-part work ensemble
free-standing sculpture
Before the Wall came down
wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), wood, 2 footstools bronze cast, wood, graphite facing, 126 folding rulers aluminum
71.9 x 30.3 x 20.5 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Lennep
aluminum, float glass, enamel painted on reverse of glass, oil paint print on bituminized feltbase (flooring), panel door solid wood, steel, lacquer paint (split found object), felt, blockboard
52.5 x 132.5 x 18.9 inches
( 133.3 x 336.5 x 48 cm )

Reinhard Mucha Before the Wall came down, 2008 / Lennep, 2009

Reinhard Mucha
Before the Wall came down, 2008 / Lennep, 2009
(Detail)
two-part work ensemble
free-standing sculpture
Before the Wall came down
wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), wood, 2 footstools bronze cast, wood, graphite facing, 126 folding rulers aluminum
71.9 x 30.3 x 20.5 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Lennep
aluminum, float glass, enamel painted on reverse of glass, oil paint print on bituminized feltbase (flooring), panel door solid wood, steel, lacquer paint (split found object), felt, blockboard
52.5 x 132.5 x 18.9 inches
( 133.3 x 336.5 x 48 cm )

Reinhard Mucha Before the Wall came down, 2008 / Lennep, 2009

Reinhard Mucha
Before the Wall came down, 2008 / Lennep, 2009
two-part work ensemble
free-standing sculpture
Before the Wall came down
wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), wood, 2 footstools bronze cast, wood, graphite facing, 126 folding rulers aluminum
71.9 x 30.3 x 20.5 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Lennep
aluminum, float glass, enamel painted on reverse of glass, oil paint print on bituminized feltbase (flooring), panel door solid wood, steel, lacquer paint (split found object), felt, blockboard
52.5 x 132.5 x 18.9 inches
( 133.3 x 336.5 x 48 cm )

Reinhard Mucha Treysa, 1993

Reinhard Mucha
Treysa, 1993
wall-mounted sculpture
enamel paint, wood, float glass, enamel painted on reverse of glass, felt
33.5 x 68 x 15.8 inches
(84.9 x 173.2 x 39.4 cm)

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013; and Der Bau. Auszüge aus dem großen Kalender, [2000], 1999

Reinhard Mucha Der Bau. Ausz&uuml;ge aus dem gro&szlig;en Kalender, [2000], 1999

Reinhard Mucha
Der Bau. Auszüge aus dem großen Kalender, [2000], 1999
3-teilig
The Burrow. Excerpts from the big Calendar, [2000],1999
3 parts
(Detail)
3 parts
116.8 x 32.3 x 3.8 inches
(296.7 x 82 x 9.5 cm)
165.4 x 32.3 x 3.8 inches
(420 x 82 x 9.5 cm)
165.4 x 32.3 x 3.8 inches
(420 x 82 x 9.5 cm)
metal, plastic, float glass, color laser prints, acid free museum board, paper, Scotch® tape, staples, multiplex wood, aluminum

Reinhard Mucha Der Bau. Ausz&uuml;ge aus dem gro&szlig;en Kalender, [2000], 1999

Reinhard Mucha
Der Bau. Auszüge aus dem großen Kalender, [2000], 1999
3-teilig
The Burrow. Excerpts from the big Calendar, [2000],1999
3 parts
(Detail)
3 parts
116.8 x 32.3 x 3.8 inches
(296.7 x 82 x 9.5 cm)
165.4 x 32.3 x 3.8 inches
(420 x 82 x 9.5 cm)
165.4 x 32.3 x 3.8 inches
(420 x 82 x 9.5 cm)
metal, plastic, float glass, color laser prints, acid free museum board, paper, Scotch® tape, staples, multiplex wood, aluminum

Installation Views

Reinhard Mucha Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013

Reinhard Mucha
Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013
free-standing sculpture
pedestal wood, felt, 2 tape measures, metal, 6 footstools metal, PVC, 6 glass sheets
pedestal: 34.8 x 75.3 x 38.8 inches
(88 x 191 x 98.5 cm)
variable dimensions
Sound installation and video installation (endless loops: sound of the TGV 9836 in the saloon coach, 300 km/h between Bruxelles-Midi and Lyon Part Dieu, June 30, 2007 and videoanimated photographs of the artist’s contribution to the exhibition Kunst wird Material, Nationalgalerie Berlin 1982)

Reinhard Mucha Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013

Reinhard Mucha
Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013
free-standing sculpture
pedestal wood, felt, 2 tape measures, metal, 6 footstools metal, PVC, 6 glass sheets
pedestal: 34.8 x 75.3 x 38.8 inches
(88 x 191 x 98.5 cm)
variable dimensions
Sound installation and video installation (endless loops: sound of the TGV 9836 in the saloon coach, 300 km/h between Bruxelles-Midi and Lyon Part Dieu, June 30, 2007 and videoanimated photographs of the artist’s contribution to the exhibition Kunst wird Material, Nationalgalerie Berlin 1982)

Reinhard Mucha Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013

Reinhard Mucha
Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013
(Detail)
free-standing sculpture
pedestal wood, felt, 2 tape measures, metal, 6 footstools metal, PVC, 6 glass sheets
pedestal: 34.8 x 75.3 x 38.8 inches
(88 x 191 x 98.5 cm)
variable dimensions
Sound installation and video installation (endless loops: sound of the TGV 9836 in the saloon coach, 300 km/h between Bruxelles-Midi and Lyon Part Dieu, June 30, 2007 and videoanimated photographs of the artist’s contribution to the exhibition Kunst wird Material, Nationalgalerie Berlin 1982)

Reinhard Mucha Freiheit f&uuml;r Berlin, 2008 / Minden, 2013

Reinhard Mucha
Freiheit für Berlin, 2008 / Minden, 2013
(Details)
two-part work ensemble
free-standing sculpture
Freiheit für Berlin
solid wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), blockboard, 3 footstools wood (found objects), 9 folding rulers aluminum, binding wire
71.9 x 30.3 x 20.3 inches
(182.6 x 77 x 52 cm)
wall-mounted sculpture
Minden
aluminum, float glass, enamel painted on reverse of glass, carom billiard table rails with so-called diamonds, billiard cloth, cushion rubber (split found object), floorboards rests of different oil paints, resin and dispersion paints, plywood (found objects), canvas, felt, plywood, blockboard
66.85 x 166.14 x 19.61 inches
(169.8 x 422 x 49.8 cm)

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Seite 63, 1983 and Gruppe 47, 2008 / Voddow, 2010

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Gruppe 47, 2008 / Voddow, 2010 and Freiheit für Berlin, 2008 / Minden, 2013

Reinhard Mucha Straight, 2013

Reinhard Mucha
Straight, 2013
(Detail)
sculptural room installation
93.5 x 218 x 124 inches
(237.5 x 553.7 x 315 cm)

Reinhard Mucha Stunde Null, 2006 / Hennef, 2009

Reinhard Mucha
Stunde Null, 2006 / Hennef, 2009
(Detail)
two-part work ensemble for the exhibition Hidden Tracks
free-standing sculpture
Stunde Null
wood, float glass (display case), pedestal wood, oil paint print on bituminized feltbase (flooring), 6 parts of rails (model railway track 0) sheet steel, gaffer mold (found object) pear wood, steel wire, kiln (found object) stove enamel, steel, fire clay, cast iron
71.7 x 20.5 x 30.3 inches
(182.1 x 52 x 77 cm)
wall-mounted sculpture
Hennef
aluminum, float glass, enamel painted on reverse of glass, wall panel lacquer paint, wood (found object), wooden plank (found object), canvas, industrial felt, blockboard
53.3 x 181.1 x 17.5 inches
(135.4 x 460 x 44.5 cm)

Reinhard Mucha Gruppe 47, 2008 / Voddow, 2010

Reinhard Mucha
Gruppe 47, 2008 / Voddow, 2010
(Detail)
two-part work ensemble
free-standing sculpture
Gruppe 47
wood, float glass (display case), pedestal oil paint print on bituminized feltbase (flooring), 4 footstools wood, melamine resin coat, PVC, felt, 4 clipboards hardboard, metal, 4 folding rulers aluminum
71.9 x 42.9 x 21.3 inches
(182.6 x 109 x 54 cm)
wall-mounted sculpture
Voddow
aluminum, float glass, enamel painted on reverse of glass, hay rack solid wood (found object), canvas, cotton fleece, felt, blockboard
52.4 x 177.6 x 17.3 inches
(133.1 x 451 x 44 cm)

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Stunde Null, 2006 / Hennef, 2009 and Kassel, 2013

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Stunde Null, 2006 / Hennef, 2009 and Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Stunde Null, 2006 / Hennef, 2009 and Die Deutsche Frage, 2007 / Dornap, For Philip Nelson, 2007

Reinhard Mucha: Hidden Tracks

Reinhard Mucha: Hidden Tracks
November 2, 2013 - January 11, 2014
Installation view, Luhring Augustine, New York

pictured: Test Arrangement for Untitled (Reinhard Mucha - Die Letzten werden die Letzen sein - Nationalgalerie Berlin 1982), 2008, For Mies van der Rohe, 2013; and Der Bau. Auszüge aus dem großen Kalender, [2000], 1999

Contact

For more information, please contact Donald Johnson Montenegro at 212.206.9100 or donald@luhringaugustine.com.

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