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Art Basel 2020 Online Viewing Room

Luhring Augustine is pleased to present a selection of works by Glenn Ligon, Jason Moran, Richard Rezac, and Zarina.

 

Both politically provocative and formally rigorous, Glenn Ligon’s work explores issues of history, language, and identity. The selection of works featured in this presentation highlight the artist’s hallmark use of text. Composer and musician Jason Moran considers modes of expression in his practice, often complicating the relationship between music and language. Evoking automatic drawings and gestural abstraction, the four new Moran works on paper on view beautifully interweave process, performance, and materiality.

 

Richard Rezac’s abstract sculptures are rooted in a studious consideration of the history of art, architecture, and design. Crafted with materials ranging from painted cast bronze, wood, aluminum, and cotton, Rezac’s exceptionally precise works toggle between congruence and dissonance, space and form, lightness and solidity. Zarina’s work is influenced by an interest in mathematics and architecture, reflected in her use of geometry and her emphasis on structural purity. While her work has a minimalist aesthetic, its starkness is tempered by its texture and materiality.

 

To view our presentation, please visit Art Basel's website or our Viewing Room.

 

For more information, please contact Julia Speed: julia@luhringaugustine.com.

Jason Moran Bite the Hand 1, 2020

Jason Moran
Bite the Hand 1, 2020
Pigment on Gampi paper
25 1/4 x 38 1/4 inches
(64.1 x 97.2 cm)

Jason Moran Zodiac Lightbulb 2, 2020

Jason Moran
Zodiac Lightbulb 2, 2020
Pigment on Gampi paper
25 1/4 x 38 1/4 inches
(64.1 x 97.2 cm)

Jason Moran Sustain Billow, 2020

Jason Moran
Sustain Billow, 2020
Pigment on Gampi paper
25 1/4 x 38 1/4 inches
(64.1 x 97.2 cm)

Jason Moran Walk a Long Time, 2020

Jason Moran
Walk a Long Time, 2020
Pigment on Gampi paper
25 1/4 x 38 1/4 inches
(64.1 x 97.2 cm)

Glenn Ligon Untitled (study for large untitled (I Feel Most Colored When I Am Thrown Against A Sharp White Background), 1990

Glenn Ligon
Untitled (study for large untitled (I Feel Most Colored When I Am Thrown Against A Sharp White Background), 1990
Shiva brand ivory black oilstick on canvas
30 x 20 inches
(76.2 x 50.8 cm)

Glenn Ligon No Room (Gold) #18, 2007

Glenn Ligon
No Room (Gold) #18, 2007
Oil and acrylic on canvas
32 x 32 inches
(81.3 x 81.3 cm)

Glenn Ligon With Hope, 2017

Glenn Ligon
With Hope, 2017
Neon mounted on a white powder coated aluminum box
9 1/2 x 26 x 5 inches
(24.1 x 66.0 x 12.7 cm)

Glenn Ligon Warm Broad Glow (reversed), 2008

Glenn Ligon
Warm Broad Glow (reversed), 2008
Photogravure etching
24 3/4 x 35 1/3 inches
(62.9 x 89.8 cm)

Richard Rezac Chigi, 2017

Richard Rezac
Chigi, 2017
Painted maple wood, cast hydrocal, and aluminum
45 x 69 x 43 inches
(114.3 x 175.3 x 109.2 cm)

Richard Rezac Chigi, Pamphili, 2019

Richard Rezac
Chigi, Pamphili, 2019
Aluminum, painted cast bronze, woven cotton
25 1/2 x 26 1/2 x 10 1/2 inches
(64.8 x 67.3 x 26.7 cm)

Richard Rezac Untitled (19-11), 2019

Richard Rezac
Untitled (19-11), 2019
Painted wood, aluminum
45 x 61 3/4 x 1 1/4 inches
(114.3 x 156.8 x 3.2 cm)

Richard Rezac Untitled (20-02), 2020

Richard Rezac
Untitled (20-02), 2020
Cast bronze, painted wood and aluminum
29 x 25 x 4 inches
(73.7 x 63.5 x 10.2 cm)

Zarina Untitled, 2012

Zarina
Untitled, 2012
Collage with pewter leaf on etching mounted on Arches cover buff paper
Image size: 7 3/4 x 8 inches (19.69 x 20.32 cm)
Sheet size: 15 x 15 inches (38.1.x 38.1 cm)

Zarina Untitled, 2014

Zarina
Untitled, 2014
Collage with pewter leaf and gold pencil on Somerset Antique paper
26 1/2 x 22 inches
(67.3 x 55.9 cm)

Zarina Untitled, 2016

Zarina
Untitled, 2016
Collage with BFK light paper printed with black ink mounted on Somerset Antique paper
24 x 17 inches
(61.0 x 43.2 cm)

Zarina Untitled, 2013

Zarina
Untitled, 2013
Collage of Indian handmade paper, stained with Sumi ink and 22-karat gold leaf on Arches Cover Buff paper
15 x 15 inches
(38.1 x 38.1 cm)

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