
Richard Rezac
Chigi, Pamphili, 2019
Aluminum, painted cast bronze, woven cotton
25 1/2 x 26 1/2 x 10 1/2 inches
(64.8 x 67.3 x 26.7 cm)
Richard Rezac’s abstract sculptures quietly connote everyday sources, leaving the viewer with a sense of familiarity and closeness. Exceptionally precise in their execution, with each decision carefully considered by Rezac, the pieces are made to be looked at and thought of with absorption. Their human scale and careful placement (the height on the wall, the distance they hang from the ceiling, etc.) initiates a dialogue that demands time, the works revealing themselves slowly. This combination of exquisite craft and spatial intentionality imparts a knowing presence to the sculptures, lending an ostensible sense that they are full of concealed information. Taciturn, earnest, and magnetic, they toggle between congruence and dissonance, space and form, lightness and solidity.
Richard Rezac
Aerial (largo), 2018
Painted cast bronze
21 1/4 x 20 1/4 x 5 1/4 inches
(54 x 51.4 x 13.3 cm)
Rezac (born 1952) lives and works in Chicago. In 2018, The Renaissance Society at the University of Chicago, IL presented Address, an exhibition of Rezac’s work from three decades that garnered enormous critical attention; the exhibition traveled to the Blaffer Art Museum at the University of Houston, TX. Rezac’s work was featured in The Making of Husbands: Christina Ramberg in Dialogue at 49 Nord 6 Est, Lorraine, France; the show originated at KW Institute for Contemporary Art, Berlin, and traveled to the BALTIC Centre for Contemporary Art, Gateshead, UK. His work is in the permanent collections of The Art Institute of Chicago, IL; Museum of Contemporary Art, Chicago, IL; Dallas Museum of Art, TX; Portland Art Museum, OR; Detroit Institute of Art, MI; and Yale University Art Gallery, New Haven, CT; among several others. He has received the John Simon Guggenheim Fellowship, the Rome Prize Fellowship at the American Academy in Rome, the Joan Mitchell Foundation Award, and the Louis Comfort Tiffany Award, among others.
Richard Rezac
Pane, 2020
Painted cherry wood
9 x 12 x 3 3/4 inches
(22.9 x 30.5 x 9.5 cm)
Richard Rezac on Pane, 2020
“Within this group, [Pane’s] positioning can be seen as both transparent lens, and reflective mirror. The dark blue lines, define a frame, but one that extends at the corners […] so that a strict figure-ground, or inside-outside is less certain.”
Richard Rezac
Untitled (20-02), 2020
Cast bronze, painted wood and aluminum
29 x 25 x 4 inches
(73.7 x 63.5 x 10.2 cm)
Richard Rezac
Chigi, Pamphili, 2019
Aluminum, painted cast bronze, woven cotton
25 1/2 x 26 1/2 x 10 1/2 inches
(64.8 x 67.3 x 26.7 cm)
Richard Rezac
Pattern Study for Chigi, Pamphili, 2019
Colored pencil and graphite on paper
19 7/8 x 14 inches
(50.5 x 35.6 cm)
Richard Rezac
Stance (set), 2019
Cast bronze
16 x 10 1/2 x 2 1/2 inches
(40.6 x 26.7 x 6.4 cm)
Richard Rezac
Soliloquy, 2019
Aluminum, cast bronze, painted cast aluminum
9 1/4 x 34 x 13 inches
(23.5 x 86.4 x 33 cm)
Richard Rezac speaks about Soliloquy, 2019
"It is essentially an abstraction made from invented geometric forms, but situated with recognition that its component parts can be read as a stage, a solitary actor and with curtains drawn.”
Richard Rezac
Study for Soliliquy, 2019
Colored pencil and graphite on paper
23 x 43 7/8 inches
(58.4 x 111.4 cm)
Richard Rezac
Untitled (19-11), 2019
Painted wood, aluminum
45 x 61 3/4 x 1 1/4 inches
(114.3 x 156.8 x 3.2 cm)
Richard Rezac
Untitled (19-05), 2019
Plaster, painted wood
38 3/4 x 36 3/4 x 16 1/4 inches
(98.4 x 93.3 x 41.3 cm)
Richard Rezac speaking about Untitled (19-05) and Untitled (19-06)
“There are two closely related sculptures in the exhibition, and although both are Untitled, I intended each to have clear resemblance to landscape, and specifically the view one has looking at a distant range of mountains or hills.”
Richard Rezac
Untitled (19-03), 2019
Cast hydrocal and aluminum
23 x 23 x 5 1/4 inches
(58.4 x 58.4 x 13.3 cm)
Richard Rezac
Untitled (19-02), 2019
Painted cherry wood, aluminum
18 x 24 1/2 x 7 inches
(45.7 x 62.2 x 17.8 cm)
Richard Rezac
Aerial (largo), 2018
Painted cast bronze
21 1/4 x 20 1/4 x 5 1/4 inches
(54 x 51.4 x 13.3 cm)
Richard Rezac
Untitled (18-06), 2018
Cast bronze
13 x 12 3/4 x 1 3/4 inches
(33 x 32.4 x 4.5 cm)
Richard Rezac
Chigi, 2017
Painted maple wood, cast hydrocal, and aluminum
45 x 69 x 43 inches
(114.3 x 175.3 x 109.2 cm)
Richard Rezac
Largo, 2017
Painted cast bronze
6 1/4 x 16 3/4 x 14 inches
(15.9 x 42.5 x 35.6 cm)
Richard Rezac
Study for “Largo”, 2017
Graphite and colored pencil on Strathmore plate sheet
30 x 22 inches
(76.2 x 55.9 cm)
Richard Rezac
Untitled (11-01), 2011
Nickel-plated cast bronze
16 x 17 1/2 x 1 1/4 inches
(40.6 x 44.5 x 3.2 cm)
Richard Rezac
Untitled (08-08), 2008
Painted cherry wood and aluminum
16 3/4 x 28 x 6 inches
(42.5 x 71.1 x 15.2 cm)
Richard Rezac
Untitled (04-04), 2004
Painted wood, aluminum
20 1/2 x 19 3/4 x 3 3/4 inches
(52.1 x 50.2 x 9.5 cm)
Richard Rezac
Study for Untitled (04-04), 2004
Colored pencil and graphite on graph paper
23 x 17 inches
(58.4 x 43.2 cm)
Richard Rezac
Untitled (02-05), 2002
Painted wood
27 1/2 x 13 x 11 inches
(69.8 x 33 x 27.9 cm)
For more information, please contact Lauren Wittels at lauren@luhringaugustine.com.